Finally, a good reason for a Mad Men prequel

The bikini has one of the best etymological origins I’ve ever heard. From Wikipedia’s entry on Bikini Atoll:

The name was popularized in the United States not only by nuclear bomb tests, but because the bikini swimsuit was named after the island in 1946. The two-piece swimsuit was introduced within days of the first nuclear test on the atoll, when the name of the island was in the news. Introduced just weeks after the one-piece “Atome” was widely advertised as the “smallest bathing suit in the world”, it was said that the bikini “split the atom”.

I hope somebody got MAD PAID off of that.

H-Bombs were tested on Bikini Atoll up until 1958. Makes you wonder what kind of bikini was the worst thing in 1954 after all.

“I Fell in Love with the Burden Holding Me Down”

Hello! I’m still alive and even listening to music. Here’s the mix I made for the season.

“Happiness in Others” – Winter 2011/12

1. The Drums – How it Ended
2. Tennis – Origins
3. Grouplove – Colours
4. Gang Gang Dance – Adult Goth
5. Radiohead – Staircase
6. Peaking Lights – All the Sun that Shines
7. Talking Heads – I’m Not in Love
8. Jay-Z and Kanye West – No Church in the Wild
9. Drake – Headlines
10. Suicide – Diamonds, Fur Coat, Champagne
11. The War on Drugs – Baby Missiles
12. White Denim – Drug
13. White Rabbits – Danny Come Inside
14. Elbow – Grounds for Divorce
15. M83 – Teen Angst
16. Wilco – One Sunday Morning

Annotations:

-I don’t think the songs I choose for a season mix are usually very biographical, but this one is kind of an exception. There were a few tough choices between what made it onto the mix and what didn’t based on my headspace a while back.
-Then again, I mean, wow! Look at a bunch of those titles. “Adult Goth”? “Teen Angst”? “Grounds for Divorce”? One of the bands is even named Suicide, for fucking out loud. You might think I had a really bad season! But it was actually pretty good, for the most part. Maybe I just have a thing for depressing music?
-Award for most unintentionally hilarious segue in a while: the spoken outro of Drake’s “Headlines” (must only be on the album version, couldn’t find one on YouTube, sorry), in which he implores us to stop talking about how much something cost vs. how we got it and hey let’s maybe engage with each other more than our money you guys, which then goes straight into a song called “Diamonds, Fur Coat, Champagne”. Nice one, Meyer!
-I’ve been listening to a lot of M83 lately – especially the new album – but “Teen Angst” was a real standout from when I saw them live last month. Partly because I didn’t even know the song very well before that. There’s a lot to be said for discovering (or re-discovering) a song as the band plays it directly to you – it can be a powerful thing. Maybe next season something new like “Claudia Lewis” or “Year One, One UFO” will make it on here.
-Other close calls: Unknown Mortal Orchestra’s “Fffunny Fffriends”; Ra Ra Riot’s “Too Too Too Fast”; The Shins’ “Simple Song”.

The DEXTER Season Finale Explained

(A meeting between two friends: LARRY, a lapsed viewer of DEXTER who hasn’t seen the show in a year or two, and CURLY, a current viewer who has just watched the season finale.)

(Curly doesn’t give a shit about being spoiled, but if you do, hopefully you understand that SPOILERS LIE AHEAD!)

****

CURLY: So, I saw the DEXTER season 6 finale last night.
LARRY: Yeah? Was there a big twist at the end?
CURLY: There sure was: Deb finally learned the truth about Dexter when she witnessed him carry out his kill ritual.
LARRY: Wow, that’s big news! The way they’d been building up Deb’s character, I knew it’d only be a matter of time before she used her detective skills and intuition to figure out the truth.
CURLY: Well… she didn’t really use any skills or intuition.
LARRY: What do you mean?
CURLY: She just walked in at the wrong time.
LARRY: Looking for Dex? But how did she find his kill room?
CURLY: It was the scene of a current police investigation.
LARRY: Well, I guess that wasn’t entirely new for Dex. Sort of unlikely that she walked in when she did, though huh?
CURLY: No, not at all. Dex told her he’d be working there that night.
LARRY: He… he set up a kill room right where and when he told his sister he would be?
CURLY: He didn’t seem to think she’d be interested in revisiting the known headquarters of a serial killer still at large.
LARRY: Dex didn’t take any of the precautions he usually would when setting up a kill room?
CURLY: Nope. He didn’t even lock the door. Deb just walked right in.
LARRY: Wow, Dex was really off his game, huh? Harry must have had a field day with that one.
CURLY: Harry did not appear in the episode.
LARRY: Well… was Dex just under too much pressure and mistake-prone like he was in season 4?
CURLY: He did screw up a lot this season, freely outing himself to a serial killer still at large for one thing, but unlike previous seasons, it was never treated like a serious symptom that Dex would have to confront.
LARRY: Oh. So, it sounds like this crucial moment of the series was more like a climax in Deb’s character arc. She must have suspected something was up with Dex to surprise him and finally call him on his weird behavior.
CURLY: Nope. She was actually coming in to tell him she loved him. Like, romantically.
LARRY: Really?
CURLY: Yeah. She realized it last episode, thanks to therapy.
LARRY: Huh. Well, that could be an interesting wrinkle. So she realized she was so madly in love with him that she had to tell him her feelings immediately?
CURLY: No, she had several chances during the episode. But every encounter of theirs had Dex acting his normal weird and stand-offish self.
LARRY: But– I mean… but then, why barge in when she did? What changed for her during the episode?
CURLY: I guess you could say she spoke with her therapist.
LARRY: And her therapist told her to speak her mind to her brother.
CURLY: No.
LARRY: No?
CURLY: No. Her therapist said she couldn’t control how her brother would react to hearing the truth. With the subtext being…
LARRY: Kid gloves.
CURLY: Kid gloves, yes. Telling your brother you’re in love with him is maybe not the kind of thing you’d do while he’s in the middle of a super-important work assignment that you just tasked to him.
LARRY: I’d at least sit him down with a beer first.
CURLY: Or six.
LARRY: So… you’re saying that the big event, possibly the biggest event that every DEXTER fan has been waiting for and the series has been building to since the first episode, turned out to be an unearned, illogical moment predicated on both Deb and Dex acting dumbly out of character?
CURLY: Well…
LARRY: …
CURLY: …
LARRY: So when does JUSTIFIED come back?

“Told Myself I’d Never Write a Love Song”

“No Warmth in Dreams” – Fall 2011

1. Wilco – I Might
2. The Drums – Money
3. Future Islands – Walking Through That Door
4. Four Tet – Locked
5. Guided by Voices – Gold Star for Robot Boy
6. M83 – Couleurs
7. Jay Z & Kanye West – Murder to Excellence
8. White Denim – Anvil Everything
9. Fela Kuti – Gentleman
10. Little Dragon – Ritual Union
11. The Rapture – Children
12. Ted Leo and the Pharmacists – Ativan Eyes
13. Pavement – Frontwards
14. Yacht – Tripped and Fell in Love
15. Talking Heads – Take Me to the River

Mixes are much easier to make when the average song length is over 5 minutes! Dunno why this mix is so full of long songs. Seriously: four songs on here are over seven minutes, and the 11-minute Fela track is the SHORT version. And yet, Gold Star for Robot Boy is barely 90 seconds. Weird.

The title sort of sounds pretty damn depressing, but I meant it in a more motivational way, as in dreams by themselves don’t amount to much if you never make the effort to act on them. Not sure that has a lot to do with the music on the mix, it’s just kind of a general feeling from these last few months. Next season: hopefully something more uplifting!

Deferred Jams

(Being the latest in my series of quarterly mixes…this one easily a month late.)

“Too Much Time” – Summer 2011

1. Phoenix – Consolation Prizes
2. Holy Ghost! – Wait and See
3. Little Dragon – Nightlight
4. Jay-Z & Kanye West – Ni**as in Paris
5. Aeroplane – Caramellas
6. The Rapture – How Deep is Your Love?
7. Friendly Fires – Chimes
8. Ra Ra Riot – Ghost Under Rocks
9. Ducktails – Killin the Vibe
10. Okkervil River – The Valley
11. Cults – Go Outside
12. Yacht – I Walked Alone
13. The Mountain Goats – High Hawk Season
14. Times New Viking – Fuck Her Tears
15. TV on the Radio – New Cannonball Blues
16. Washed Out – Before
17. White Denim – Is and Is and Is
18. M83 – Midnight City
19. The Flaming Lips – Feeling Yourself Disintegrate

Annotations:
-I made an honest-to-god mixtape for someone this summer, and after making it felt I had to tell her not to read too much into the song titles and lyrics I chose. Same thing applies here. I’m drawn to melodies much more quickly than lyrics most of the time, and trying to literally transcribe four months of my life via song titles wouldn’t be much fun for anyone as it is. So basically, don’t look at titles like “Feeling Yourself Disintegrate” and “Fuck Her Tears” and assume I had a shitty summer or anything.
-Actually, “Feeling Yourself Disintegrate” is on there because I saw the Flaming Lips play the entirety of The Soft Bulletin at Hollywood Forever cemetery a few months back. It was nuts, and a fantastic way to revisit one of my favorite albums from college. Maybe they’ll do Yoshimi shows in two years?
-”Go Outside” was pretty overplayed and isn’t even a favorite song of mine, but it’s here as motivation, I guess – to go outside, do stuff, stay active. Or else!
-So, so tough to choose a Yacht song – I’ve been jocking Shangri-La constantly for months now, and I very nearly chose “Dystopia” or “Paradise Engineering” instead. The whole album’s great, and the band is a ton of fun live. I’m sure you’ll be seeing much more from this album on future mixes.

The Frictive Story of Our Lives

“OK,” you may be thinking after you finished reading my explanation the other day.

“I get what you’re saying,” you may think further, “Life is often made worse by the little things – or by several little things snowballing into a Pretty Big Thing. Most people are at least vaguely aware of this phenomenon. But if you need to keep yourself constantly aware of the detritus that accumulates around the edges of your focus – which, I mean, by the way, seems unnecessary because this friction inherently makes itself known to you anyway - why not just leave yourself a note or a warning on your bedside table, or in the car or wherever? Why name your precious Blog after it?”

“Why celebrate the shit in life?”

I have two responses to this. First: wow, you’re as long-winded as I am.

Second: well, at first I thought the title wasn’t celebrating so much as acknowledging. Like, “I know the true name of the devil and so he has no power over me” and all that. But that’s not entirely true, is it? To name something is to give it an identity, and to acknowledge an identity is to give it some small amount of power over you.

I guess I really am celebrating the Daily Friction in our lives, but only as we might retroactively celebrate the fever that kept us home on the day of the o-chem pop quiz. I’m not about to buy friction a fucking cake or anything. What should be celebrated is not the friction itself, but the opportunity that it gives us to evaluate our surroundings.

Imagine a world where everyone and everything is permanently coated in a Super-Lard that removes any and all friction from physical activity. Smell aside, this world would seem pretty cool to inhabit at first: you could basically rollerskate everywhere on your feet, condoms would be way cheaper, and the word “chafe” would cease to exist. But remember a moment ago, I said cool “at first.” Once the shock of no-more-shocks wore off, we’d get painfully used to a world without pain pretty quickly. We’d feel little – if anything – from a swim in the pool, running barefoot through grass, or eating a crunchy oatmeal cookie. Even sex would get boring. We’d become physically numb.

Here in the real world, though, we can use these little bits of friction to appreciate texture, determine value differences, cause or receive surprise; the list goes on and on. Friction creates feeling.  Nothing makes us feel alive more than a sensation that shakes us out of complacency, whether it’s love or pain, pride or betrayal.

Humans understand this on a subconscious level, too. Friction has become a societal norm of ours to the point where some people will actually manufacture it to either fit in with others or entertain themselves. Think of the people you know who have never really had a tough life, and what “struggles” they actually deal with every day. The successful VP who hasn’t been promoted in months. The gorgeous actress who just can’t seem to make the career jump from supporting role to leading lady. The trust fund hipster who’s incensed that his cappuccino doesn’t have enough foam. Ask any of them how their lives are going, and they will explain these horrors to you in immaculate detail. You are allowed to leave at any point during the ensuing conversation.

Friction keeps us grounded. Without it, well, I can’t say that we would all become intolerable assholes – because “asshole” is a subjective term based on social norms, and if everyone walked around complaining about losing a sequin off of their Ed Hardy jackets, that would only result in a worldwide commiseration followed by a return to the store for newer, shinier jackets for all – BUT, without friction, our human need to infuse our lives with Drama and Importance would turn molehills into entire Appalachian Ranges of loathing, mid-life heart attacks and global wars based on faulty evidence.

Oh, wait.

Anyway, I guess my point is that The Daily Friction needs to be not just acknowledged, but understood. We need to appreciate that there are benefits as well as downsides. It’s an ongoing process/goal/dilemma that will not always be easy for everyone, and especially not for me. But I think that doing so is vital to life and to health. Because, at the end of the day, Friction is not going anywhere and we might as well get used to it, or else.

I mean…I almost want to say that we should be like a smiling Sisyphus, happy in our daily uphill boulder-rolling because it gives us a goal, builds our muscles and keeps us out of a stuffy office environment. Is that fair? Or too much of a pinko commie thing to say? If we can change our definition of what makes us happy, shouldn’t we? Isn’t happiness the simple goal that all of us are forever trying to achieve, and ultimately more important than any political or social dictates?

I don’t know. Maybe that’s a discussion for another time.